2020年Kong Audio最新版 – 琵琶 – Kong Audio Chinee Series PiPa KONTAKT 暂无演示
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2020年Kong Audio最新版 – 琵琶 – Kong Audio Chinee Series PiPa KONTAKT

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  • 2020年Kong Audio最新版 – 琵琶 – Kong Audio Chinee Series PiPa KONTAKT插图
    P2P | 12 January 2020 | 7.12 GB

    琵琶

    永不停止的Chat不休
    琵琶(中国琵琶)的起源可以追溯到秦朝(公元前221-206年)。随着琵琶的发展,唐朝(公元618年至907年)两大文明相互交融,深受波斯文化的影响,自此成为中国最受欢迎的乐器之一。

    琵琶在中国最强大的王朝中繁荣昌盛,在中国文学和文化中留下了巨大的印记。琵琶以其快速,连续的演奏风格而闻名。中国诗中有一句著名的谚语说:“听起来像是大小不一的珍珠,落在玉板上。”

    非凡的可玩性

    ChineePipa包含各种类型的连奏,颤音,颤音,面包卷,巴掌和断音,以及特殊的技巧,乐句和发音。音符范围从A3到D7(对于大多数音色)。

    通过广泛的采样和Modwheel触发表达式,ChineePipa的实时可玩性再次无与伦比。此处的音频演示是仅用一个补丁即可完成的示范演示。

    柳琴

    从基层
    柳琴是一种草根民间乐器,在过去的两个世纪中最初在中国某些省份流行。

    最初,柳琴是一种简单而粗糙的乐器,由于缺乏精致,它曾被称为“人民琵琶”,但它更接近真实的农村生活。

    今天的柳琴的结构在20世纪中叶进行了重新设计。通过改进的物理形式,加上较高的音高音阶和类似西方曼陀林的声音效果,柳琴已成为当今中国古典音乐界的重要乐器。

    PiPa

    The Never-Stopping Chattering
    Pipa (Chinese Lute) has its origin dated back to the Qin Dynasty (221-206 BC). As Pipa evolved, it was heavily influenced by Persian culture during the Tang Dynasty (618 – 907 AD) when the two great civilizations crossed over with each other, and became one of the most popular instruments in China ever since then.

    As Pipa prospered in the most powerful Chinese dynasty, it left tremendous markings in the Chinese literature and culture. Pipa is most well-known for its rapid, successive playing style. A famous quote from a Chinese poem has it nailed: “[sounds like] the pearls, large and small, on a jade plate fall”.

    Extraordinary Playability

    ChineePipa contains various types of legato, tremolo, trills, rolls, slaps, and staccato, as well as special techniques, phrases and articulations. The note range is from A3 to D7 (for most patches).

    With the extensive sampling and Modwheel triggered expressions, the live playability of ChineePipa is, again, unmatched. The audio demo here is an an exemplary showoff of what can be done with only one patch.

    LiuQin

    From the Grassroot
    LiuQin is a grassroot folk instrument which was originally popular in some provinces of China for the last two centuries.

    LiuQin was a simple and rough instrument at the begining, and it was once referred to as “the plebs’ Pipa” due to its lack of refinement – yet it is much closer to the true rural life.

    The structure of today’s LiuQin has been redesigned in the mid-20th century. With the improved physical form, plus its higher pitch scale and its Western Mandolin-like acoustic effect, LiuQin has become a prominent instrument in today’s Chinese classical circle.

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